a place to ramble....

Friday, November 25, 2011

Winona back in the day



This is the season of great movies. From now until award season kicks off, we will get to see the best movies of the year. However, I find that at the moment I'm craving a bit of nostalgia. I want some easy entertaining viewing. I'm well past the teen movie age and to be honest I'm not really a fan of the ones that are made today. However, I'm never too old for a bit of eighties and nineties viewing.

I'm also having a bit of a Winona moment. I guess it was her fortieth birthday recently which is maybe why she popped back in my head, but I really want to go back and watch all her movies from the start.

Looking back I feel that she was probably very special for a lot of teenagers. I was a child in the 80's and 90's so I'm not sure if my memories are worth basing my present day opinion on, which is why I want to re- visit her films. One thing I do know for sure though is, I love Mermaids and that will never change!


Tuesday, November 1, 2011

A Simple Man




Tom Ford personifies style. In everything the man creates the sheer class with which he works is really quite astounding. A perfectionist to the point of obsession, the man makes a beautiful picture.

From the very beginning, this film is aesthetically gorgeous. The sixties setting is immaculate and everything from set to costumes to lighting is really something else. The house used in the film was designed in 1948 by John Lautner, the noted architect who once worked for Frank Lloyd Wright.

But, Tom Ford is obviously not one to rest on his laurels and release just a stunning looking picture. Instead, he picked a story by Christopher Isherwood and actually made an extremely strong film.



Firth plays the title character. He is wonderful in the role. His character is so haunted and sad it is heartbreaking to watch. Yet Firth doesn't just play the grieving role. He manages to create a fully rounded character. While reliving past memories, a different man is apparent. A happy, funny, loving and satisfied man was who he once was and Firth manages to hold on to all sides of this man with great truthfulness.



Julianne Moore is George's neighbor Charley. A British woman living alone in a large house which she never leaves and where she spends her days waiting for the evening to come. She is alone but for George, and wishes that they could have been more than best friends. A funny, sad character, she is likable yet pitiable at the same time.



The cast also includes Nicholas Hoult as the young student Kenny, who shows more than a teacher/student  interest in George. Kenny seems to provide George with the possibility of future happiness.

Then there is Matthew Goode who plays Jim, the love of George's life. They spent fifteen years together before a terrible car accident took Jim's life and threw George into the whirlwind of turmoil that he finds himself unable to escape from.






It is a moving story. A man coming to terms with the death of his most treasured loved one. Alone in L.A, far from England and in a time when to be gay is unheard of. He is refused permission to attend the funeral of his life partner, a sharp blow adding to the horrendous news.  Life is a fog for George now and all he has to keep him going are his memories of happier times with someone who is now passed away. Living seems futile.

Ford managed to create a hauntingly special film. It is difficult to critique a piece of work that is so unique. The cinematography by Eduard Grau is amazing, as is the editing by Joan Sobel. There are moments of slow motion and flashbacks that are so effective it is incredible. Also, the fact that the acting is so strong throughout really gelled the movie together. It is easy to believe in the present story and not get distracted  by the flashbacks, when in both the present and the past the emotions are so honest and real.






George's heartbreak and loneliness is palpable and heart wrenching. Besides "The King's Speech" this is most certainly Firth's strongest performance to date. A film set in one day of one man's life. It is about love and loss and how we do or do not survive the pain.


Monday, September 19, 2011

Oh a yellow suit









Kate Bosworth Editorial for StyleCaster

Stylist: Cher Coulter

Photography: David Mushegain


I saw these pictures on Oracle Fox blog and I had to post them. I love the yellow suit and the white fringed outfit in particular. Amazing.

Saturday, September 17, 2011

Karen Elson "The Ghost Who Walks"

100 Years From Now



I love this. Elson has found her place in music and it's excellent. A folksy otherworldly type of music it is the America that I want to visit. My favourite song thus far is "100 Years From Now". It has an old time air about it  and feels like it could be heard in some half empty run down vaudeville bar  full of all sorts of  characters who live on the fringe of life.


"The Ghost Who Walks", the title track is also gorgeous. It makes me think more of dusty vast land, drinking whiskey on a porch, cowboys, and just a world so far from the daily life in wet Ireland!




In Trouble With The Lord


                                                      

Wednesday, September 7, 2011

Melancholia by Lars Von Trier

I cannot wait to see this film. It's released in Ireland on September 30th.

It appears to be a very successful and important come back for Kirsten Dunst, who in recent years has been noticeably absent from movies; in particular good movies. It also has Charlotte Gainsbourg, who I would watch in anything.

Other members of the cast include Keifer Sutherland, Alex Skarsgard, Stellan Skarsgard, Charlotte Rampling and John Hurt.

It's bound to be an Oscar contender, surely at least for Dunst who has been receiving rave reviews and won Best Actress for "Melancholia" at Cannes this year.





Monday, September 5, 2011

CocoRosie

Two songstresses and artists who also happen to be sisters came together to make music and this is what they created.

This song "Lemonade" is from their fourth full studio album "Grey Oceans", which was released in 2010.  It is stunningly beautiful.


Friday, September 2, 2011

Edward Sharpe & The Magnetic Zeros - Home

Cause when you need a song that will make you smile, just look and listen to this.


Tuesday, August 30, 2011

To a Stranger - Walt Whitman

Passing stranger! you do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall'd as we flit by each other, fluid, affectionate, chaste, matured,
You grew up with me, were a boy with me or a girl with me,
I ate with you and slept with you, your body has become not yours only nor left my body mine only,
I am not to speak to you, I am to think of you when I sit alone or wake at night alone,
I am to wait, I do not doubt I am to meet you again,
I am to see to it that I do not lose you.




Tuesday, August 16, 2011

John Cazale


                               


John Cazale is the actor that everyone recognizes yet so few know by name. A genius actor of the stage and screen he had little time on film before his passing. He completed five films before he died at the age of 42.

I first saw him in “Dog Day Afternoon” years ago. At the time it was Pacino that I recognized and being the more famous of the two, I probably focused more attention on him rather than on Cazale. However, looking back this doesn’t seem right. Pacino is a great, a true great, but so was Cazale. He is phenomenal to watch and so remarkable as an actor. There are some actors that are extremely talented. Many are to be fair. But then sometimes there are actors who are more than just talented. It's different. Cazale was truly beautiful to watch. Maybe not in the traditional sense but that is so irrelevant when it comes to him. His beauty is greater than a pretty face. It's fragility, sadness, vulnerability, a depth of anger and a real sense of humor.

"I knew it was you" is a documentary that was made by Richard Shepard about John Cazale. The film was released in 2009 at The Sundance Film Festival. The title comes from the line in "Godfather II", where Michael tells Fredo "I know it was you", Fredo having betrayed Michael. It is a series of interviews with many of the actors and filmmakers who were lucky enough to know and work with Cazale.

The documentary is lovely. It is very simple and to the point. His friends and admirers talk about a man who was gifted at his art. A man that they loved both as an actor and as a person. He was so full of passion and believed in each character implicitly. Determined to do his best, he lived and breathed every role until his character truly came to life. Looking back at each of the five films he made, his friends discuss and reminisce about their days and experiences with Cazale at that time.

Al Pacino is a central figure in the documentary, having been a great friend of Cazales. They lived together at one point and worked on three plays together, including Israel Horowitz’s “The Indian Wants the Bronx”, which as a result of their performance they each won an Obie Award. They also worked on three films together, "Godfather I", "Godfather II" and "Dog Day Afternoon".

Francis Ford Coppola and Sidney Lumet both speak about Cazale. Coppola gave Cazale his first movie role casting him as Fredo in the “The Godfather”. Sidney Lumet also discusses casting Cazale. He speaks about his reluctance to cast this thirty something actor in "Dog Day Afternoon". He wanted a 19-year-old street kid and couldn't understand why Pacino kept hassling him to meet Cazale. Eventually agreeing to see him for the part, Lumet was aghast at how wrong Cazale was for the role, until he saw him act.


                                             

There are interviews also with those that he inspired, from Steve Buscmei to Philip Seymour Hoffman. Gene Hackman speaks about working with him in 'The Conversation" and Richard Dreyfuss talks about his experiences working with Cazale on stage. What is extraordinary about this film is to see the amount of love and respect that Cazale received from his peers. It is clear that these actors were so supportive of his wonderful ability, they were determined that a wider audience should see the talents of this man.

The film features and briefly discusses Meryl Streep and her relationship with Cazale. The pair were engaged and according to those who knew them at that time, madly in love, with eyes only for one another. They met doing the Public Theatre's  "Measure for Measure" on stage and also shared the screen for a moment in The Deer Hunter. It was Streep who was with Cazale at the end of his life and there is a very touching moment in the film, when Pacino describes those last days of John's life. He speaks about the great love between the pair, and says that he had never seen anything like it; how even with all the wonderful work she has done in her life and all the great moments, his strongest memory of Meryl Streep was in those last days, when Cazale was fading away,  how this girl took care of him like no other. 


                                    

It's difficult to describe the emotion that he emanates in his work. Eyes that you could look into forever and never see the full depth. That one look can create such a feeling of heartbreak is incredible and yet at times still so funny. A raw rare talent.  While making The Deer Hunter, he was very ill. Unable to get insurance for Cazale, as he was so sick, rumor has it that Robert De Niro fronted the money, so as to ensure Cazale got to play the part of Stan in the movie.

Cazale was so intrinsically connected to each character that the smaller movements he does on camera are as real as when he is speaking. Cazale embodies the role so completely it is really quite amazing to watch. He is constantly in character and it is so interesting to watch him in his smaller scenes, when he is carrying on unaware of what is going on around him, making faces, looking at himself in the car window, fixing himself, playing around or whatever else he felt in that moment.

It is heartbreaking that we never got to see more work from John Cazale. Only at the beginning of what was sure to be a magnificient career, we can at least be grateful for what he left us. Five classic films made at a time when a group of insanely talented artists came together and created masterpieces. All gifted in their own right; yet at the same time slightly in awe of Cazale, who in his understated way would bring a performance so strong that it even improved the work of his highly regarded contemporaries. These actors, such as Pacino and Streep, whose work has proved that they are as good as it gets, still credit much of their learning to the late great John Cazale.





Saturday, August 6, 2011

Music and the movies

A few songs from some classic modern films. They are a  complete mixture of genres and tastes, yet all are included in each film for a reason. Successful in fulfilling their job of evoking an emotion, image or message that is essential to the story. Music in film is of the utmost importance. It must be right. It must add rather than distract. It pulls from the audience and creates mood. Therefore, it makes perfect sense that  many directors use the same composer time and time again. They often share a mutual understanding of what it is that's important to convey underneath the script; what moves, what creates passion and what helps the story in its journey of what it needs to be and wants to say. 

Film: Mermaids
Song: If you wanna be happy
Artist: Jimmy Soul

Film: Once Upon A Time In America
Song: Deborah's Theme
Composer: Ennio Morricone
 
Film: Badlands
Song: Gassenhauer (1973 Badlands Version)
Composer: Carl Orff
 .
                                                              
                                              Film: In The Mood For Love
                                                  Song:Yumeji's Theme
                                              Composer: Sergei Trofanov


Film: My Own Private Idaho
Song: Cattle Call
Artist: Eddy Arnold



Film: Pulp Fiction
Song: Out of Limits
Artist: The Marketts

                                          

                                                      

Film: Pulp Fiction
Song: Lonesome Town
Artist: Ricky Nelson



Film: Edward Scissorhands
Song: Ice Dance
Composer: Danny Elfman





Wednesday, July 27, 2011

The Shangri- Las

This girl group were one of the best girl groups of all time. Hailing from Queens, NYC, they were a huge success from 1964-1966. They had numerous hits with their biggest and most well known being "Leader of the Pack" and "Remember (Walking in the Sand). Known as the bad girls of pop at the time, these successful teenagers  paved the way for future girl groups. Sadly in recent years most of these have proved to be less than exciting. But for now lets remember the Shangri- Las.

Tuesday, July 19, 2011

Dogtown and Z- Boys

Dogtown and Z boys is a film made in 2001 about a group of surfers and skaters in Santa Monica, California. These young skaters, known as the Zephyr skaters or Z- boys came from a surfing background and changed the way skateboarding was viewed across the world. Coming from surfing  gave these kids the ability to break through previous skating barriers and do moves never seen before. They literally used surfing moves and put them on the ground.

The documentary is fascinating. Made by Stacy Peralta, one of the original and most successful Z- boys and told by the skaters themselves, the film is a flashback to the seventies when skateboarding really took of and these guys and one girl become the equivalent of rockstars. They were innovative and skilled with style being of the utmost importance to the success of each skater.

What is so interesting about this documentary is that it shows the Zephyr skaters at the time that it was all happening. The film is a series of clips from the seventies, which shows the skaters in action with their mentors, interspersed with interviews from 2001 including many of the players speaking about their journey then and now. The film is narrated by Sean Penn. The content of the story is so appealing and interesting and the visualization of the film is fantastic, creating an atmosphere so alive and emotive that it reaches out to the audience and is  enough to make you wish you had lived in this grimy area of Santa Monica in the seventies in order to witness and with a bit of luck be involved in this burgeoning movement in some way.

They speak about style a great deal and it's interesting to see how important this was to the success of an individual skater. Skill was obviously incredibly important with Tony Alva and Jay Adams being the most skillful of the bunch, but what these guys possessed in so much added abundance and which really set them apart was their style. Alva is compared to Mick Jagger with a swagger and a confidence that made him a god among the skaters and he was the first number one skater voted by the public, all by the age of 19.

The Zephyr skaters were aggressive and free spirited. The crowds loved them while many of the more traditional skaters did not. The Z - boys were epitome of cool and what was needed at that time. They skated as they lived. Many came from broken homes and didn't have much money, their swagger and aggression was so popular because it was real, this was their life. They transformed skating and in return were offered sponsorship, money, parties and all that comes with that, both the good and the bad.

They began to conquer the skating world with the resurgence of skating competitions and skating magazines, both of which were last seen for a brief moment in the sixties before quickly dying out. The Del Mar National was the first of the skating competitions and the Z- boys killed it. They skated low and with an aggression that was a far cry from the up right moves of the popular skaters before them. They arrived at the competition like a gang; all wearing a uniform of blue Zephyr t-shirts, Levis and dark blue Vans. They were about to take the skating world by storm.

The first skater to perform from the Zephyrs was Jay Adams. At only 13 Adams was by their own admittance the most naturally gifted of all the skaters. He had tricks and moves that nobody had ever seen before and was so skilled that he never did the same move twice. 

They took over the competition with Adams and Alvo placing and Peggy Oki the only female in the Zephyr team winning first place in the women's section.Half the finalists were from the Zephyr team and it was here that the previous champions probably began to realise that a revolution was taking place and they were not necessarily included.


                                               

They influenced everything about skating, but one of their major triumphs was the discovery of skating in pools. In the mid seventies, California went through one of it's worst droughts. Many of the pools were empty and the Zephyrs saw an opportunity. They began to skate in pools pushing themselves and each other to see how far they could go and what they could achieve in this new space. They spent their days driving around looking for empty or almost empty pools that they could clear with their water pumps in order to fulfill their goals of skating in this new and challenging terrain.

They began small with goals of skating over the light in the pool and aimed higher and higher until they had three wheels over the edge of the pool and then turned around, skating back down to the other side. It was here that they pushed each other relentlessly, not knowing their limits or what could be achieved. It was also here, that Alva pushed skating to new heights and performed the first ever aerial. History was made and skateboarding was revolutionized.

Their rise continued for a time and their unique moves  will be remembered and felt forever. There isn't a skater today that doesn't reflect on this special time, when watching as spectators both near and far, they saw a sport transform like never before and gain a respect that hadn't seemed conceivable before the emergence of this group.

The documentary is incredibly interesting. It shows us California in the seventies and the journey of these boys and one girl and how it changed their destinies forever. Of course some of it is sad and disappointing, as it always is when prodigies don't reach the goals that should have been inevitable for them. But they are human stories and it is remarkable to see how one group of kids managed to  change a sport forever, and all out of an intense and powerful love for surfing and skateboarding that was as natural to them as breathing.



It's been said that while most American children of that time were raised on milk and Graham crackers, Jay Adams was raised on skating and surfing and thats the feeling you get from watching this film. This was their world and all they knew. It seems inevitable that they would sky rocket when such a young mix of like minded and supremely talented individuals should come together and challenge a sport with such intensity and passion that everything was turned on its head.